伉俪
塔提阿娜·玛斯拉尼,罗西弗·萨瑟兰,伯克特·图尔顿,艾琳·博伊斯,泰丝·登根斯坦,克莱尔·福莱森,克里斯汀·帕克,洛根·皮尔斯,艾拉·韦杰尔,格伦·戈登,伊芙琳·伯克,吉娜·武尔塔焦,艾琳·蒂普尔
塔提阿娜·玛斯拉尼,罗西弗·萨瑟兰,伯克特·图尔顿,艾琳·博伊斯,泰丝·登根斯坦,克莱尔·福莱森,克里斯汀·帕克,洛根·皮尔斯,艾拉·韦杰尔,格伦·戈登,伊芙琳·伯克,吉娜·武尔塔焦,艾琳·蒂普尔
彼得·德索萨 Peter DeSouza-Feighoney,马丁·波特洛克,Megan Placito,尼古拉斯·伍德,凯利斯顿·韦勒英,Chrissie Wunna,珍妮·米勒,凯莉·里安·桑松,Amanda Jane Cooper,亚当·斯皮尔斯,Charlotte Jackson,Kat Green
埃斯特·通帕,安娜玛丽亚·比鲁斯卡,马里乌斯·达米安,伊林卡·马诺拉切,瓦娜·马尔达雷,谢尔班·帕夫卢,阿德里安·希塔鲁,加布里埃尔·斯帕休,阿多尼斯·坦察
辛政顺,尹伊娜,申素媛
汤姆·希林,杰拉·哈斯,比吉特·米尼希迈尔,阿克塞尔·施泰因,基达·拉马丹,简·亨瑞克·斯塔伯格,安德亚斯·杜伯斯,Angelo Borer,Luisa Wöllisch,Christian Ammermüller,Jonas Baum,Julia Eiber,Thomas Gräßle,Stephan Buschmann
约翰·卡萨维茨
迈克尔贝
米开朗基罗·安东尼奥尼
林赛·安德森
山姆·佩金法
孙周
迈克尔·摩尔
埃尔马诺·奥尔米
真正的友情从无关身份,而是两个迷茫的灵魂恰好相互照亮。生活失意的老郑与无处可去的亮亮相遇,老郑意外成为网红,而亮亮成了他身边最坚定的搭档。 两人一路同行,也在彼此的生命中照进光芒。一段身份悬殊的特殊友谊,在笑泪交织中悄然生长。 然而,当老郑在流量中逐渐迷失走向失控,这段关系也迎来了前所未有的考验……他们,能否成为彼此最特别的那束光?
付大歘(付滃 饰)的老婆小楠(周戈楠 饰)性格强势,大歘本身也是上门女婿,因此在家庭生活中一直忍气吞声战战兢兢,久而久之,大歘感到非常的压抑,唯一能够让他放松下来的,只有酒精。这一天,大歘和兄弟焦健(王卓 饰)、晓嵩(鞠泓宇 饰)一起出门喝酒放松,这当然不能给小楠知道。 在夜店里,大歘邂逅了美艳女子平平(王君平 饰),在酒精的麻痹之下,大歘的内心里动起了歪念头。哪知道不仅遭到了小楠连环夺命call的骚扰,想要放纵一把还险些遇到仙人跳,在危急时刻,竟然是平平对大歘出手相救,两人之间竟然萌生出了一丝革命友谊。
东汉末年,群雄并起。经过连年征伐和兼并,魏蜀吴三国鼎立,此消彼长。为对抗强大的曹魏政权,孙刘两家联合,诸葛亮(马连良 饰)与水军都督周瑜(叶盛兰 饰)在夏口共同抵御曹军的进攻。为探听两家联军虚实,曹操(裘盛戎 饰)派出谋士蒋干(萧长华 饰)以故交身份探访周瑜,伺机劝其投降。聪敏过人的周公瑾当下知晓来者之意,遂摆下文武群英会,令太史慈监酒,使蒋干无从置喙。席间周瑜假装大醉,事先造好曹营水军头领蔡瑁、张允的降书,纵容蒋干盗信逃归,终是疑心颇重的曹操诛斩水军大将…… 本片根据京剧三国戏中的经典戏码改编。
美剧《光晕:夜幕降临》剧情是紧接《Halo4》和《Halo5》,其中游戏人物Jameson Locke(Mike Colter饰演)将继续扮演核心角色,他即是一个“传奇的赏金猎人”,同时也是美国海军情报局的特工。 在预告片中,Jameson Locke和他的团队陷入到一场有预谋的生物攻击之中,在那里他们很快发现了这个阴谋,他们随后被带到了一艘远古的飞行器里。在那里他们被迫“为生存而战,并对一切事物保持猜疑”,最终在忠诚和生存之间做出抉择。 最后微软也表示,这部美剧《光环:夜幕降临》将与《光晕》士官长典藏版同期上映,预计从11月11日开播。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
她是一位国标舞者,却在重大赛事的紧要关头遭遇危机,幸好有位街头舞者挺身而出,不顾自身过往的伤痛,担任她的出赛舞伴。